![]() to understand "The President of the LSD Golf Club" in the context of the Hooverphonic catalogue needs, I think, not a journey back into their discography rather, a willingness to take a ride, that journey, into the album itself. rather, I listen, and feel as though Hooverphonic are right at home, in their "Hooverphonic" sound. Portishead, Massive Attack, Cocteau Twins). gone are the nods to acts that were frequently associated with the band and their work (i.e. i can say hooverphonic is finally "Hooverphonic," and not "a band with trip-hop roots" or "a band that resists categorization". as in, they created an album that I think finally put them out of the pigeonholeing/trip-hop de-volution that marked hph criticism. With The President of the LSD Golf Club, Hooverphonic's fifth and final album with long-time vocalist Geike Arnaert, Hooverphonic finally found themselves. ![]()
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